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20121222
20121230
Search Results 0 to 7 of about 8 (some duplicates have been removed)
is doing to you at that moment? are you simply taking it in, that's where the energy and that's where clearly the direction comes from the score. >> yeah, absolutely, yeah. it's the music. it's the music. i study a lot, really. and i'm studying all-- . >> rose: study what. >> you know, i love to go deeply in music. >> when you study the dor what are you looking for? what is if that speaks to you? >> what speaks to me? well,. >> is it knowing where the computers head was? what he was or she, what he was thinking at the moment s it getting to what might have been at the moment that that note was taken from this head and this heart and put there on that page? >> you start to think from that point. but at the send, remember that you are recreating. you are recreating, so sometimes let's put the example of the beethoven. beethoven is a kpotser very difficult to approach because you have let's say rules in david tobin music. you have to use a small orchestra. you have a very special kind of sound to approach. but at the end there is subjective because i'm sure that beethoven at his time, he
before he died with full energy though he was incredibly frail. he said to a friend, i should have run a national theater. that's what i should have done with my life. >> charlie: (laughing) did it impact his writing? >> in fact... charlie: simon. his writing is a performance. charlie: exactly. you feel more than you do with any other great writer in the presence of the author you feel him doing it for you, wanting your admiration for the virs yosity of the different voices that he employs. even the passages are like great arias. it's all a performance. >> his daughter reported that she saw him standing in front of a mirror and acting something out. he asked her about it. he gave her a very interesting answer. he said, well, if you asked someone to list the ways in which an old man walks he might think of eight or ten things but a decent actor is imitating 100 mowings. he would rush to his desk after acting out and write down what he had just done. the acting and the writing were won. snairlts robert, you were going to add what? >> don't talk about it. do it. that's what's he used to s
Search Results 0 to 7 of about 8 (some duplicates have been removed)